Joker

Product Information

Wonder Woman vol. 4 (with Cliff Chiang, Tony Akins (#5–6, 9–10, 13–14, 17–19), Kano (#10), Amilcar Pinna (#17), Goran Sudžuka (#18–20, 24–26, 28, 30–32) and Aco (#23.2), 2011–2014) collected as: Suicide Squad: Eyes of the Adversary ( Enchantress& Incubus) | Suicide Squad ( Deadshot, Harley Quinn, Captain Boomerang, El Diablo, Killer Croc, Slipknot& Amanda Waller) | Joker's Gang ( Joker, Jonny Frost, Panda Man& Monster T) | Griggs Renaud, Jeffrey (October 12, 2009). "Azzarello Pulps Up DCU With First Wave". Comic Book Resources. Archived from the original on April 14, 2013 . Retrieved November 22, 2009.

Phillips, Dan (October 23, 2008). "The Joker's Wild Ride". IGN. Archived from the original on May 30, 2014 . Retrieved August 25, 2013. In terms of content, I still firmly believe that most people don't want to be force fed the same thing over and over. Comic readers often get labeled as a public that doesn't accept change well, but I think that comic readers are very accepting of drastic differences. You can have a guy who loves Dark Knight, but maybe wants to still see a very animated looking Batman in his comics. I think it tends to be the rest of the public that looks at comics, specifically those that have been turned into movies, and wonders why they're not seeing the same thing they just saw on the screen. Hopefully that will change as well, now that people have seen more than one version of a number of popular characters. The Shepherd and the Thunder" (script by Azzarello based on the concept by Peter Hammarstedt, art by Danijel Žeželj) Chekhov's Gun: The gun that Jonny gives Joker at their first meeting is the same one Joker uses to shoot Jonny in the face at the end. Brian Azzarello". Wizard World. 2013. Archived from the original on September 9, 2013 . Retrieved October 4, 2014.Yarbrough, Beau (April 8, 1999). "AZZARELLO FIRES '100 BULLETS' IN JUNE". Comic Book Resources. Archived from the original on October 9, 1999. And while it isn't a terrible story by any means, it's just not all that meaty or engaging once you strip away the visuals. <--which I thought were awesome, by the way.

La historia es interesante, pero nada fuera del otro mundo,utiliza muchos recursos que podemos encontrar en otras historias de Batman peor los utiliza de manera correcta, el problema es que no puedo verlo como algo realmente original. Hay mucha comparación con Batman: The Killing Joke y en dibujo personalmente me gusto mucho el de este issue, pero la historia no logra ser tan memorable. Una buena historia que no logra entrar en la magnificencia por falta de un je ne sais quoi y no por falta de recursos. In Batman: Damned, a 2019 sequel to the graphic novel Joker, Joker and Batman are found to have been fatally injured during the clash on the bridge, plunging into the water below. However, when Batman dies of blood loss, Joker re-emerges from under the bridge, laughing manically (in a scene that mentions the genesis of the character in The Killing Joke). Even the best writing can suffer from terrible art and doom a potential classic to be forgotten. But Lee Bermejo absolutely kills it. It's scratches and slashes, dark and muddy, and maybe wouldn't work with a different subject. But the art perfectly complements the writing and the "weather" Joker creates. Azzarello just gets dark and gritty Joker.Anarky | Ra's al Ghul | Deathstroke | Harvey Dent | Killer Croc | Simon Stagg | Professor Pyg and Mr. Toad | Man-Bat | Cypher | Magpie | Lady Shiva | Tobias Whale | Phosphorus Rex | Lunkhead | Humpty Dumpty | Silver Monkey | Key | Bethany Ravencroft | Daedalus Boch | Junkyard Dog | Sapphire Stagg | Matatoa | Anatol Mykros Later, he's late to a meeting with Joker. When he repeats a nonchalant answer that Croc gave to the same issue earlier, Joker splits his uprights.

Azzarello was one of the architects of First Wave, a new publishing line for pulp characters then-recently acquired by DC Comics, set outside the main DC continuity. He wrote the opening one-shot for the line, Batman/Doc Savage, [20] continuing with the First Wave limited series. [21] In 2011, Azzarello spearheaded The New 52 relaunch of the Wonder Woman series with artist Cliff Chiang. [22] The pair stayed on the title until issue #35 (Dec. 2014). In 2012, Azzarello wrote two limited series for the Before Watchmen project, focusing on Comedian and Rorschach. [23] [24] In 2014, Azzarello became the co-writer of the weekly series The New 52: Futures End along with Jeff Lemire, Keith Giffen and Dan Jurgens. [25] Oh, Crap!: The look on Joker's face when he finds Croc and his men hogtied, indicating that Batman has finally found him, speaks volumes. Hellblazer (with Richard Corben, Marcelo Frusin, Steve Dillon (#157), Guy Davis (#162–163) and Giuseppe Camuncoli (#168–169), 2000–2002; with Rafael Grampá, 2009) collected as: IGN Comics: I'm sure that, particularly with major characters like the Joker, you have a very distinct impression of who that person is. Did you find your concepts meshing well with Brian's? Is that alignment of vision something you'd use to determine whether or not you do a project?Bermejo: Definitely a coincidence. I certainly don't want to take anything away from Nolan or Ledger, they did something spectacular and iconic with the character, but the reality of this particular situation is simple: Brian and I were already well into this graphic novel when they released the first photo of Ledger. In fact, I was drawing the sequence where Joker walks into the Italian restaurant. I admit, I freaked out when I saw the photo. I immediately called Brian, and I remember he was like, "It doesn't really look anything like your Joker." I still feel like all they really have in common is the carved smile. Bermejo: My hope is that people read this and realize that the Joker is not somebody you want to know. Certainly with Ledger's amazing portrayal, I think a character like Joker can end up a bit glamorized. That's cool for certain interpretations, but ours set out to really take you into this s**t storm of a few days in the life of a murderous bastard. Of course, given that it's a mainstream character and an integral part of a huge franchise we could only take things so far. That said, we really did our best to get dark and dirty within the confines of what we were working with. Hopefully it will represent an extreme that other people might not need to have repeated. Bermejo: It was something I knew I wanted to do from the beginning. The Joker's completely unstable nature just seemed to lend itself to an approach that hopefully created a slightly uneven reading experience. I would know while reading the script where I would need to use the effect and where not to. Again, it all came down to rhythm for me. The reason why I gave this comic a four star rating is that there were many slow scenes in this comic as most of the scenes basically dealt with the Joker just discussing with the other rogues gallery about how he wants to split the profits with them. Also, there is some language and gory violence in this book, where the violence includes people getting shot and blood spurting out of the wounds and there is one REALLY DISTURBING scene that I cannot really say, but let us just say that it involves some SKIN RIPPING!