Come On Over

Product Information

Out of the album's 16 songs, 12 were released as singles. [134] In North America, promoters pushed Come On Over as a country album, while internationally categorizing it as pop. [135] [136] Promoters serviced the first two singles, "Love Gets Me Every Time" and "Don't Be Stupid (You Know I Love You)," only to country radio stations [43] and both peaked within the top 40 of the U.S. Billboard Hot 100. [137] The former was a five-week number one on the Hot Country Songs charts, while the latter was a top-ten hit on the same. [138] "You're Still the One" had a crossover release to U.S. pop radio on January 13, 1998, and was the first single the team released in Europe on February 2, 1998. [139] [140] In addition to reaching number-one in Australia and on the U.S. Hot Country Songs chart, [138] [141] the song peaked at number two on the U.S. Billboard Hot 100, [137] at number seven on the Canadian RPM Top Singles chart, [142] and at number 10 on the UK Singles Chart. [143] Mercury relied on a crossover marketing strategy for the following singles, sending songs to pop stations only after they achieved success on country stations. [43] On May 4, 1998, Twain and Lange's team released "From This Moment On" to U.S. country stations as the fourth single, and it peaked at number six on the U.S. Hot Country Songs chart. [138] [144] They later serviced it to U.S. pop stations on August 25, 1998, [145] and it peaked within the top 10 in Australia, the U.K., and the U.S. [137] [143] [146]

Eurochart Hot 100 Singles" (PDF). Music & Media. Vol.17, no.47. November 18, 2000. p.7 . Retrieved February 9, 2020. a b Longino, Miriam (November 6, 1997). "Twain's pseudo-country is pop business as usual". The Atlanta Constitution. p.G4. Archived from the original on May 17, 2023 . Retrieved February 18, 2023– via Newspapers.com.CHR/Pop: New releases (January 13, 1998)" (PDF). Radio & Records. No.1230. January 9, 1998. p.40. ISSN 0277-4860. Archived (PDF) from the original on April 20, 2023 . Retrieved April 23, 2023. Sheffield, Rob (June 5, 2019). "99 Best Songs of 1999: Ranked by Rob Sheffield". Rolling Stone. Archived from the original on December 17, 2022 . Retrieved April 23, 2023. Critics have observed the impact of Come On Over on the work of later female country artists, including Taylor Swift (left, pictured in 2012) and Carrie Underwood (right, pictured in 2018). When Shania Twain released her third album Come On Over in 1997, the Canadian singer-songwriter’s star was already swiftly on the rise. The Woman in Me, which came out two years prior, produced the breakthrough hits “Whose Bed Have Your Boots Been Under?” and “Any Man of Mine,” smashing sales records and setting the stage for Twain to be one of the genre’s next great superstars.

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Jones, Alan (March 21, 1998). "Chart commentary" (PDF). Music Week. p.22. ISSN 0265-1548. Archived (PDF) from the original on January 31, 2023 . Retrieved May 8, 2023. a b c d Sexton, Paul; McGeever, Mike (February 7, 1998). "Mercury changes Twain; for European ears only" (PDF). Music & Media. 15 (6): 7. OCLC 29800226. Archived (PDF) from the original on March 20, 2023 . Retrieved April 17, 2023. What's next?" (PDF). Radio & Records. No.1326. November 19, 1999. p.106. ISSN 0277-4860. Archived (PDF) from the original on April 21, 2023 . Retrieved April 25, 2023.a b c d e f g h Come On Over ( CD liner notes). Shania Twain. Mercury Records. 1997. 314-536 003-2. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) a b c d "Shania Twain Chart History (Hot Country Songs)". Billboard. Archived from the original on February 27, 2023 . Retrieved April 23, 2023. a b Garner, George (January 23, 2023). "The Music Week Interview: Shania Twain". Music Week. Archived from the original on February 3, 2023 . Retrieved May 5, 2023.