100 Hits - Halloween

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For over two decades, composers Edward Douglas and Gavin Goszka have been known as Midnight Syndicate, creating symphonic soundtracks to imaginary films that facilitate a transcendental and adventurous escape into the secret dimensions of the mind’s eye. I Put A Spell On You’, a love song laced with a strong dash of voodoo, not only starts our second disc but catapulted Jalacy ‘Screamin’ Jay’ Hawkins to international fame in 1956. All items come with a minimum 1 year Maufacturers guarantee (this does not cover preowned items) which covers parts and labour for repair purposes.

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Also features a Karaoke DVD featuring 20 Halloween classics such as "Thriller", "Highway To Hell", "Ghost Town" and a 20 track movie theme disc featuring tracks from classic horror films such as Halloween, A Nightmare On Elm Street, The Exorcist and The Omen. Some of the technologies we use are necessary for critical functions like security and site integrity, account authentication, security and privacy preferences, internal site usage and maintenance data, and to make the site work correctly for browsing and transactions. Each of its track titles had a macabre double meaning; Hitchcock described the result as ‘Mood music in a jugular vein’. The soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece.This collection of blood-curdling rock and pop is entertaining enough to grace your CD player for more than just one month of the year. CD2 - ‘Pop Party’ - has 20 classic pop tracks to help your party guests sing along and dance at the best Halloween Party ever! and Halloween arose as a regular band with the addition of Philippe Di Faostino on drums in the place of Thierry Gillet and Yann Honoré on bass. Similarly to the last two soundtracks, Halloween Ends was recorded in its entirety at John Carpenter’s home studio and Daniel’s studio. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape’s knife.