Daredevil by Frank Miller & Klaus Jason Omnibus (New Printing)

Product Information

Economy of brush strokes and backgrounds, the big limitation of the product here, sometimes entail great results. An expensive yet (if you know anything about the original Miller/Janson run) wonderful comic book purchase. Frank Miller's spellbinding scripts and pulse-pounding pencils herald one of Daredevil's greatest eras, just in time for the Kingpin and Bullseye's efforts to rob the Man Without Fear of everything he holds dear!

A woman who once loved Matt, and he loved her, swallowed by grief and rage goes down a much darker path than Matt.But I feel that those stories had more ups and downs compared to the stories since Elektra was introduced. Bohužel je to z doby, kdy o "show don't tell" v komiksech nikdo neslyšel a na spoustě míst je to vidět dost bolestivě. Take a rare look at the formative years of a brilliant creator and the series that made him famous as traditional super-heroics mix effortlessly with mysterious martial artistry, doomed romance and dark personal drama. Still, if a run like this was far more par for the course, it makes me sad to think how much better this medium could be.

Stories that are intricately connected to the loose story threads that were made before Miller wrote on the book and he ties those ends up beautifully in the end. Would recommend this being the starting point for anyone looking to getting into reading Daredevil comics. A backstory thrown there to create - somehow, softly retcon - the character, and turn him step by step into ' Miller's Daredevil'. In a way, the best thing about the general plot in Miller’s “Daredevil” is that it would work just as brilliantly without any superpowers, supermutations or super-gadgets. Something that did surprise me was that some elements from the Frank Miller/Klaus Janson run were used in the Daredevil movie from 2003.

Frank Miller's spellbinding scripts and pulse-pounding pencils herald one of Daredevil's greatest eras, just in time for the Kingpin and Bullseye's efforts to rob the Man Without Fear of everything he holds dear. This issue starts with young Miller experimenting with one of his future tropes: narration by tv screens! Frank Miller is one of the seminal creative talents who sparked the current gigantic sub-industry of motion pictures featuring comic book- initiated product. But, and it's a big but, unlike many of these omnibus journeys, this one is pretty much fascinating and entertaining from the word go.

Se devora sin pausa, atrapado por una buena historia llena de matices y por la infinidad de recursos y experimentos que hace Miller en sus viñetas. If you want to read Daredevil for any reason-you want to know more about him, you like the character, you are interested in comics history, you are interested in Elektra, etc. In the final fist fight in the subway DeeDee has a chance to get rid of the bastard for good, with a little help from NYC railways. puso mucho énfasis en retratar los barrios de New York, creando una ambientación genial para las aventuras del personaje, huyó de las estructuras clásicas del comic book para presentar las páginas de forma inusual en la época, con grandes viñetas rectangulares, tanto panorámicas como verticales que eran más adecuadas para representar la ciudad y el movimiento del protagonista por ella, asimismo, Miller fue capaz de realizar un dibujo fluido y fácil de interpretar para el lector, de manera que se podía arriesgar a presentar gran cantidad de páginas que reflejaban la acción sin cuadros de texto que la explicaran, cosa bastante inusual en aquellos momentos. The writing was fairly dated for the first 5 or so issues (especially the overly expository thought bubbles) but once Miller starts to take over story duties from Mackenzie the prose and plotting improves measurably.A minor issue, plotted around the goofy looking character of the Gladiator, a leftover of the pre-Miller era, when Daredevil was fighting a rouge gallery of buffoons. A estas alturas de la vida no voy a descubriros el Daredevil de Frank Miller, pero como me hice de autoregalo por navidad este omnibus americano, que recoge el momento en que Miller se puso al frente de la colección, primero como dibujante y después como guionista, pues habrá que hacerle al menos una pequeña reseña. Si bien los primeros números son un poco tontos y se aquejan de esas historias tan flojas a los que nos tenían acostumbrados los comics antes de que la revolución de los 80 y artistas como el propio Miller los orientaran hacia tramas más adultas, según avanzan las páginas avanza su interés y su lectura se disfruta cada vez más. You have to get past Daredevil being somewhat of Spiderman’s sidekick or nanny or whatever, which is beyond ridiculous. It was great to see DD cross paths with the Punisher (my other favorite), get involved with Kingpin, see the Elektra storyline and tie-in with Stick and his mysterious crew.

But even in less important chapters of their run such as this, Miller and Janson manage to pool out some interesting visual ideas.With all those going on, Matt also has to keep his law firm afloat, which is a hard task since he is always running off to hero duties. While doing so he also gets to showcase Matt's limits and how close he is to letting Bullseye finally die. I mezi jeho čísly jsou celkem znatelné kvalitativní výkyvy - snad vše s Elektrou je super, druhé hledání Sticka naopak dost špatné. Take a rare look at the formative years of a brilliant comic-book creator and the series that made him famous. My criticism of his run lies solely with the fact that he wasn’t also providing the story for these issues.