Memoirs and Misinformation: A Novel

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Browning, Justine (October 2, 2019). "Jim Carrey to Publish First Novel Memoirs and Misinformation". Entertainment Weekly . Retrieved September 12, 2020. In Jim Carrey’s new semi-autobiographical novel, “Memoirs and Misinformation,” there are flying saucers and a fire-bombing on Rodeo Drive, apocalyptic fires devouring Malibu and a mega-budget Hungry Hungry Hippos movie written by Kenneth Lonergan. One moment, “Carrey” dreams of strangling his late mother; the next, he pines for Renée Zellweger (“his last great love”) and challenges Nicolas Cage, a man “whose artistic bravery had always given him courage,” to a jujitsu duel. (Warning: Cage fights dirty.) James Eugene "Jim" Carrey (born January 17, 1962) is a Canadian American actor and comedian. He has received two Golden Globe Awards and has also been nominated on four occasions. Carrey began comedy in 1979, performing at Yuk Yuk's in Toronto, Ontario. After gaining prominence in 1981, he began working at The Comedy Store in Los Angeles where he was soon noticed by comedian Rodney Dangerfield, who immediately signed him to open his tour performances. Carrey, long interested in film and television, developed a close friendship with comedian Damon Wayans, which landed him a role in the sketch comedy hit In Living Color, in which he portrayed various characters during the show's 1990 season. Hughes, Will (July 11, 2020). "Jeff Daniels to Narrate His Old Buddy Jim Carrey's Audiobook". The A.V. Club . Retrieved September 12, 2020. If you think of Carrey’s career like Adam Sandler’s — and we’re not saying you should — you can make an argument that during his Biggest Movie Star in the World period, he had his Jim Carrey Comedy Superstar movies (the Farrelly brothers and Shadyac) and then his Working With Serious Directors to Make Art movies (two of which we’ll be getting to next). The one film that comes closest to merging those two is Liar Liar, a high-concept comedy about a slimy lawyer (Carrey) who, because of a birthday wish from his son, cannot tell a single lie. This turns out to be an extremely fruitful idea for a comedy, as the lawyer keeps running into situations in which his particular affliction is incredibly inconvenient. But he also gets a redemption arc that, particularly at this point in Carrey’s career, is surprisingly moving; Carrey has that normal-guy mode he can shift into that really works when he gets it right. Plus: We’ve been using “the Claw” on little kids for 23 years because of this movie. They love it. The Truman Show (1998)

But perhaps what’s most interesting was what happened next. Carrey began to question the trappings, and even the point, of movie stardom, and, as documented in the riveting documentary Jim & Andy, went through a total career (and mental) breakdown while filming Milos Forman’s Man on the Moon. Since then, Carrey hasn’t had the box-office might he once had — though his biggest hit ever came just a few years later — but he has become a far more fascinating personality, both onscreen and off. He has even inspired a sort of motivational philosophy of the self: Type “Jim Carrey philosophy” into YouTube, and you’ll find hundreds of fanmade videos featuring Carrey discussing success, and the conscious mind, and what it means to be alive. Oh, and he can paint too. It’s a long way from talking through your butt cheeks to Tone Loc. Part autobiography, part fiction, Carrey and Vachon draw disparate parts of experience together to pull off an unconventional memoir/farewell letter to civilization as they know it. The text as a whole often dives in post-apocalyptic themes with the end half lingering on the topic. Unfortunately, at this point, “Memoirs and Misinformation” is just too odd. The pace is upbeat but the storyline is so far off-kilter and unbelievable; that it loses its entertainment merit and readers may be reduced to skimming large passages. Simply: Carrey and Vichon are not skilled at dystopian novels. I didn't expect to spend time today crying while reading a passage in Jim Carrey's new novel MEMOIRS AND MISINFORMATION in which Carrey, a character in his own book, is reunited with his mentor Rodney Dangerfield when the late comedian's "essence" is resurrected as a CGI rhinoceros in a big-budget Hollywood adaptation of HUNGRY HUNGRY HIPPOS. Daugiau fantastikos elementų nei pačiuose Jim Carrey filmuose. Kaip ir skelbia viršelis, romanas tikrai yra apie žmogų vardu Jim Carrey. Tik čia daugiau fikcijos, satyros, ironijos bei misinformacijos nei memuarų. Pradėjau skaityti vedama vienos idėjos, geriau susipažinti su aktoriumi, jo vidiniais demonais, išgyvenimais, tačiau jau po pirmųjų puslapių buvo aišku, kad ši knyga yra visai kas kita nei tikėtasi. Čia gausiai minimos žymių žmonių pavardės, pašiepiami gyvenimo guru ir mokyklos, išgyvenama dėl filmų scenarijų, atrandama meilė ir net prasideda pasaulio apokalipsė.He’s in mourning for the world, and for his lost “self.” Terrified of life, terrified of death. The thought of John Lennon’s final portrait taken in the morgue, sends him into a self-grooming frenzy, just in case he dies and fanboys at the morgue sell his photo to the highest bidder. Look, I’ve loved Jim Carrey since his first Ace Ventura movie. Shortly after this movie, or maybe the second, I happened upon a family drama he had made previously, where he played an alcoholic son. I distinctly remember a scene with him crying on the stairs, and remember marvelling at his drama performance, and have since then sought out the dramas he has done, and they’re definitely my favorite of his films. Granted, he is funny, but he is also tragic, and is great at portraying these dual personalities. Me, Myself and Irene, is a deeply serious film about mental illness, and while the people at the cinema I was in were laughing, I was wondering why they couldn’t see that he was portraying a character who was deeply troubled. Frank Darabont’s attempt to make a Frank Capra film is so desperate and blatant about its inspirations that you keep expecting “DOES THIS MAKE YOU THINK OF FRANK CAPRA?” and “OKAY, HOW ABOUT THIS?” title cards to keep popping up on screen. Carrey does his best Jimmy Stewart, but neither he nor Darabont have the edge or shadings that Stewart and Capra sneaked in to keep their movies honest. Carrey’s all-American cheerfulness and scrubbed-clean optimism work in the right role, but here, the whole movie drowns in glucose. A Christmas Carol (2009) That reality, as you might expect from Carrey’s career of infiltrating fiends, clowns and sad men trying to stave off loneliness, naturally tilts toward the surreal — a tone consistent with the experience of speaking with Carrey himself. For instance, when the conversation turns to Las Vegas, a place the book’s “Jim Carrey” fears he’ll wind up “when he’s old, jowly with bleached teeth and hair plugs, whoring for the bingo crowds,” Carrey describes his own visits to Sin City in feverish prose that surpasses the book.

Imagine if The Snowman ( “Mr. Police …”) had been even worse of a flop, so much so that you didn’t even notice that it was ever released, and you have Dark Crimes, a dirge of a would-be thriller that features Carrey doing his darndest to erase every single ounce of his charisma. It works, so congratulations for that, Jim, but we really need to talk about the Polish accent he tries on for the role. For all its grim seriousness, the film’s depiction of violence against women is over-the-top and exploitive, and the whole thing makes you want to take several showers afterward. There might someday be a thriller in which Carrey works as the lead; he clearly wants to keep trying. But with this and The Number 23, maybe the universe is trying to tell him something. Simon Birch (1998) This notorious disaster (from his Batman Forever director Joel Schumacher) about a man obsessed with a book full of conspiracies about the number 23 is lurid, overcooked, and completely ridiculous, and not even in a fun way. Carrey has proven himself more than capable of taking on dramatic roles, but he’s all wrong for this; he just seems awkward and lost. The Number 23 also made you, well, worry about Carrey; sure, he was playing an unbalanced character, but signing on to do so made you wonder about his decision-making process at this particular point of his life. No more movies where there are scribbles all over your face on the poster, Jim. Dark Crimes (2017)Perez, Lexy (April 6, 2020). "Jim Carrey's Book Memoirs and Misinformation Pushed to July Release". Hollywood Reporter . Retrieved September 12, 2020. Dave Holstein, creator of the Showtime series “Kidding,” starring Carrey as a children’s television personality coping with tragedy, believes his star has reached a tenuous peace with a life of “peaks and valleys we can only begin to understand.”

He puts the phone down. The house is quiet, and neither of us wants to break the spell. “There’s freedom in creating, man,” Carrey finally says. “I swear to God, I couldn’t live without it. I’m drawing my father, and there’s joy because I’m remembering my dad, how hurt he was in life, but still what a beautiful gentleman and joyful soul. Creating these things makes me happy.” A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism. In an interview with New York Times reviewer, Dave Itzkoff, Jim Carrey explained his latest book, “Memoirs and Misinformation,” co-written by author of Wall Street satire "Mergers & Acquisitions," Dana Vachon. “It’s the end of the world, and we have the perfect book for it.”

It was the year 1994. The economy was thriving, the Twin Towers still dominated the New York City skyline, ‘Influencers’ weren’t even sperm yet and I was watching, “The Mask” starring Jim Carrey with my neighbor-friend, Amanda. Carrey was in the height of his fame and I was in love – telling Amanda that one day I will date Jim Carrey. Lofty aspirations for a 10-year old. Carrey was only 23 (and he looks it) when he made this cheesy ’80s comedy about a high school kid (Carrey) who is bitten by an older woman vampire ( Lauren Hutton, who at least seems to be enjoying herself) and trying to lose his virginity to avoid turning into a vampire. (As one does.) Carrey is manic and bug-eyed but not particularly interesting in his starring film debut, and other than tiny roles in films too small to even make this list, it would be a decade until he had another major role. He eventually figured it out. How the Grinch Stole Christmas(2000) I know it's become a popular trope to claim that comedians are often the darkest people, but I have little sympathy/empathy for a guy waddling in his own self pity from a cozy 10 million dollar Malibu Beach house. An engaging, fun tale that plays with the public perceptions of celebrities, questions our compulsive need to view, and contains a gloriously off-the-wall conclusion.”