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Nikon AF-S NIKKOR 70-200mm f/4G ED VR Lens

£9.9£99Clearance
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It suffers from both barrel and pincushion distortion at short and long focal lengths and pincushion distortion is most pronounced at 200mm. If you really want great background blur, skip zooms and go straight to the 135mm f/2 DC or 200mm f/2 or 300mm f/2. For the money, size, weight AND optical performance, this lens is hands-down a better option than the 70-200/4.

At 200mm wide-open, this VR lens is a bit sharper under the microscope, while though the rest of the range they are the same, and sometimes the 80-200/4 AI-s is sharper. We're as guilty as anyone of getting excited about shiny new gear and features, but let's not lose sight of the gear we already have by our side. sibling, but also appears to have slightly more effective VR, and best of all, focuses closer to a minimum of 1m at all focal lengths, and does not exhibit focus breathing: 200mm at 1m is really 200mm. We've assembled a few of our favorite articles, tutorials, explainers, and guides to help beginners get started with photography and level up to advanced concepts. I also like how a lens focuses better under many conditions and the increased brightness of the viewfinder with the gaping 2.I immediately adjusted focus for my Nikon D800E and brought it with me to put it through its paces in the field, which is the only thing that really matters to me when I evaluate equipment to create images for my VIERI BOTTAZZINI FINE ART PRINTS business. Actually, being an Ape With A Camera, the OP presumably does not have much linguistic skill and was actually saying that the lens looked as good as a banana, in other words very good indeed. The Nikon 70-200mm f/4G VR produces a rather high amount of vignetting wide open at longer focal lengths.

That does not mean you'll have perfect images, but you are less likely to miss focus when focus is achieved. In the meantime, Canon offered a 70-200 f/4 since 1999, a lens available today in the form of both the 70-200mm f/4 L IS USM and the 70-200mm f/4L USM (respectively with or without image stabilisation).All content, design, and layout are Copyright © 1998–2024 Digital Photography Review All Rights Reserved.

This new 70-200/4 VR adds much closer focusing and improved Image Stabilization over the 70-200mm f/2. Yes, you can get decent results on the latest Nikon DSLRs, but it is nowhere close to what you can get with the Nikon 300mm f/4D AF-S + TC-14E II. It doesn't have VR, but I mostly use it outdoors where I have little trouble getting the fast shutter speeds I want anyway. When it comes to lateral chromatic aberration, the lens seems to handle it quite well, even in high-contrast situations.You'll have Program and Shutter-priority modes, but lose Manual and Aperture-priority since you have no way to set the aperture on the camera or on the lens. The Sony a9 III is the world's first full-frame mirrorless camera to feature a global electronic shutter with simultaneous readout. You also have the option to opt-out of these cookies; however, opting out of some of these cookies may affect your browsing experience. For the rare ocasions I use a tripod, I just do the nasty and just attach my camera directly to my tripod, no collar needed — and I do this even with my f/2. On a D600, focusing feels all but instant (despite the insistence of Nikon reps that the sample we used was 'unfinished') and the zoom action is smooth and well-damped.

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