Miranda July

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In 1998, July made her first full-length multimedia performance piece, Love Diamond, in collaboration with composer Zac Love and with help from artist Jamie Isenstein; she called it a "live movie." She performed it at venues around the country, including the New York Video Festival, The Kitchen, and Yo-yo a Go-go in Olympia. She created her next major full-length performance piece, The Swan Tool, in 2000, also in collaboration with Love, with digital production work by Mitsu Hadeishi. She performed this piece in venues around the world, including the Portland Institute for Contemporary Art, the International Film Festival Rotterdam, the Institute of Contemporary Arts in London, and the Walker Art Center in Minneapolis.

July, Miranda (2011). It Chooses You. Sire, Brigitte. San Francisco, California. ISBN 9781936365012. OCLC 713187971. {{ cite book}}: CS1 maint: date and year ( link) CS1 maint: location missing publisher ( link) It’s the essence of red,” he said brusquely. He could sense my skepticism. “Red is an energy, which only develops a hue in crude form. Take thirty milliliters now and then thirty milliliters each morning before first urination.” I swallowed a dropperful. NEW MEMBERS 2016: ACADEMY INVITES 683 TO MEMBERSHIP". Academy of Motion Picture Arts and Sciences. June 29, 2016 . Retrieved April 24, 2017. With The First Bad Man, Miranda July provides an audaciously original, often hilarious map of the ever-expanding reach of unhinged imagination in America. With IMAX-scale emotional projections, a post-gay regimen of sexual fantasies, and a cast of riveting misfits worthy of Kurt Vonnegut, July takes us on a picaresque journey in which the heroine's ultimate challenge turns out to be a stunningly ordinary circumstance more transfixing than all the virtual caprices a 21st-century mind can muster.” Gillespie, Katherine (October 29, 2020). " 'Kajillionaire' Is a Queer Film Without Buzzwords". Paper . Retrieved July 20, 2021.

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Roberts, Christopher (May 29, 2019). "Sleater-Kinney Share Lyric Video for New St. Vincent-Produced Song "Hurry On Home" ". Under the Radar . Retrieved August 1, 2019.

July is brilliant, hilarious, irreverent, piercing—even cringe-inducing, powering past sexual boundaries and gender identification into the surprising galaxy of primal connection. ‘We all think we might be terrible people. But we only reveal this before we ask someone to love us. It is a kind of undressing.’ Is there a more hopeful statement about humankind? In Miranda July’s strange universe, probably not.”Mörke, Luise. " An Eerily Vulnerable Thing. Miranda July and the Failure of Profundity," Photogénie. Retrieved February 16, 2021.

Miranda July is known for artworks that depend upon the public’s participation — be they apps, performances or sculptures. Her interfaith charity shop at Selfridges will present customers with an unexpected retail experience that will resonate with founder Harry Gordon Selfridge’s famous pronouncement in 1909 that his store was created as an open house, where “everyone is welcome.” Hiebert, Paul (June 2, 2010). "Miranda July Makes Art That Requires People". Flavorwire . Retrieved December 5, 2011. a b Rabin, Nathan (July 6, 2005). "Interview: Miranda July". The A.V. Club. Archived from the original on January 23, 2018.Spitalfields Crypt Trust (SCT) is an East London charity providing practical help for people recovering from complex drug and alcohol addictions. They provide homes, therapy, productive activity and a supportive community to help people to avoid relapses and lead healthier, happier lives. The word phenomenal didn’t seem to trigger anything in him; he was saying Dr. Broyard was expensive but worth it and then his voice began rising toward a polite exit. “Well, I guess I’ll see you at the board meeting to—” but before he could say morrow, I interrupted. For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. Filmmaker Magazine rated her number one in their "25 New Faces of Indie Film" in 2004. After winning a slot in a Sundance workshop, she developed her first feature-length film, Me and You and Everyone We Know, which opened in 2005. The film won The Caméra d'Or prize in The Cannes Festival 2005.