RODE NTG2 SHORT SHOTGUN MICROPHONE

Product Information

The AT 897 features a high-pass filter that can be set to flat or 80 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic. Dynamic microphones and condenser microphones are two types of mics based on their capsule components and mechanisms. Generally speaking, dynamic microphones are less sensitive but more robust and best used on loud sources. Meanwhile, condenser microphones are more sensitive to small changes but can be overloaded if the source is too loud. Shotgun mics come in various lengths, from a compact 3 inches or 4 inches to more than one-foot long. Consider how you’ll use the mic when deciding whether you want a compact one. If you’re mounting it on a camera, a smaller profile makes the mic lighter and much more maneuverable. Longer shotguns tend to have tighter polar patterns; they’re great when recording concerts or sporting events, and you want to minimize the overwhelming crowd noise. But put one on a camera, and you’re liable to poke someone’s eye out! Power

Hennessy, Brian (2005). The Emergence of Broadcasting in Britain. Southerleigh. ISBN 9780955140808.Berners, Dave (December 2005). "Ask the Doctors: The Physics of Mid-Side (MS) Miking". Universal Audio WebZine. Universal Audio . Retrieved July 30, 2013. The additional length of the Audio-Technica AT8035 can make it unsuitable for on-camera use, as it will get in a shot with some lenses. Longer shotgun microphones are also more susceptible to the distortion of off-axis sounds that can occur in rooms with a lot of reverb. The MKE 600 comes with a natural roll-off at 40 Hz and a selectable low-cut filter at 100 Hz to deliver clear intelligibility while attenuating low-frequency noise. Since shotgun microphones are directional, they’re excellent for capturing natural sounding dialogue. Just aim it at the chin or upper chest, stay about 2-3 feet away from the subject’s mouth, and pay attention to your frame so the mic doesn’t end up in the shot. It’s common to record dialogue above your talent, but you may also record it below your talent depending on the situation. Experiment with what works best and sounds great.

The Rode NT-USB does have a gain issue, and adjusting it inside software won’t do much, but it can still be a serviceable product for newbie podcasters and streamers. However, if you aren’t familiar with shotgun specifics, it is better to follow our guide, which narrows it down further: It features a selectable low-cut filter at 80 Hz and can deliver clear sound while attenuating noise and bass buildup. Additionally, its full-spectrum frequency response utilizes a gentle increase in high frequencies to enhance intelligibility. Put together, the mic and boom arm are a match made in heaven. The boom arm has three points of motion for varying levels of access, and the mic screws in easily to provide quality sound. Both the mic and boom arm are sturdy. Plug the USB-C cable into your computer, and you're good to go. David Edward Hughes: Concertinist and Inventor" (PDF). Archived from the original (PDF) on December 31, 2013 . Retrieved December 17, 2012.

Table of Contents

The Sennheiser MKE 600 is a versatile super-cardioid short shotgun mic that can be used with a boom or camera mount. The condenser microphone, invented at Western Electric in 1916 by E. C. Wente, [20] is also called a capacitor microphone or electrostatic microphone—capacitors were historically called condensers. The diaphragm acts as one plate of a capacitor, and audio vibrations produce changes in the distance between the plates. Because the capacitance of the plates is inversely proportional to the distance between them, the vibrations produce changes in capacitance. These changes in capacitance are used to measure the audio signal. The assembly of fixed and movable plates is called an "element" or "capsule". As we have discussed, shotgun mics focus closely on the subject directly in front of them, and they reject sounds from the sides and the rear. That’s why it’s key to get the microphone as close to your subject as possible and to keep it pointed directly at your sound source. The shotgun works great indoors or out across various environments, thanks to an RF condenser design that’s highly moisture-resistant. And the MKH 416’s compact and light construction makes it easy to mount the mic on a boom pole without sacrificing maneuverability or tiring out your operator.

A frequency response diagram plots the microphone sensitivity in decibels over a range of frequencies (typically 20Hz to 20kHz), generally for perfectly on-axis sound (sound arriving at 0° to the capsule). Frequency response may be less informatively stated textually like so: "30Hz–16kHz±3dB". This is interpreted as meaning a nearly flat, linear, plot between the stated frequencies, with variations in amplitude of no more than plus or minus 3dB. However, one cannot determine from this information how smooth the variations are, nor in what parts of the spectrum they occur. Note that commonly made statements such as "20Hz–20kHz" are meaningless without a decibel measure of tolerance. Directional microphones' frequency response varies greatly with distance from the sound source, and with the geometry of the sound source. IEC60268-4 specifies that frequency response should be measured in plane progressive wave conditions (very far away from the source) but this is seldom practical. Close talking microphones may be measured with different sound sources and distances, but there is no standard and therefore no way to compare data from different models unless the measurement technique is described. Different microphones can have vastly different impedances and this depends on the design. In passive microphones, this value relates closely to the impedance of the coil (or similar mechanism). In active microphones, this value describes the output impedance of its internal amplifier circuitry. Nahin, Paul J. (2002). Oliver Heaviside: The Life, Work, and Times of an Electrical Genius of the Victorian Age. JHU Press. p.67. ISBN 9780801869099. Fiber-optic microphones do not react to or influence any electrical, magnetic, electrostatic or radioactive fields (this is called EMI/RFI immunity). The fiber-optic microphone design is therefore ideal for use in areas where conventional microphones are ineffective or dangerous, such as inside industrial turbines or in magnetic resonance imaging (MRI) equipment environments. The best sound will come from positioning the shotgun mic a few feet above your subject.Booming from above the subject allows a more crisp and clear dialog to be heard. When booming from above, the microphone will be pointing downwards and the noise from around the room will be off-axis. This gives you more emphasis on the voice and less environmental noise. While shooting, keep your shotgun microphone pointed down at your subject from above. Keep the mic as low as you can without letting it dip into the frame.

A Sony parabolic reflector, without a microphone. The microphone would face the reflector surface and sound captured by the reflector would bounce towards the microphone. Sessler, G.M.; West, J.E. (1962). "Self-Biased Condenser Microphone with High Capacitance". Journal of the Acoustical Society of America. 34 (11): 1787–1788. Bibcode: 1962ASAJ...34.1787S. doi: 10.1121/1.1909130. Neumann makes some of the best microphones, and the KMR 81 i is no exception. It has a steep price tag, but you get a lot for that high price. It is a super-cardioid mic and uses a pressure gradient transducer and an interference tube depending on the wavelength of the frequency for versatile use.

This is why we have come up with the list of criteria, answering which will help to narrow down your search. During operation, light from a laser source travels through an optical fiber to illuminate the surface of a reflective diaphragm. Sound vibrations of the diaphragm modulate the intensity of light reflecting off the diaphragm in a specific direction. The modulated light is then transmitted over a second optical fiber to a photodetector, which transforms the intensity-modulated light into analog or digital audio for transmission or recording. Fiber-optic microphones possess high dynamic and frequency range, similar to the best high fidelity conventional microphones.You can get the best sounding recordings for your video content with a boom mic or a longer shotgun-style mic if you’re in a controlled environment. A “boom mic” is essentially a boom pole-mounted shotgun mic. These are the best way to record audio since they sound the most natural right out of the box. Although they are most commonly on film sets, they’re perfect for interviews and content creators who do things solo. Photo from Unsplash What is a Shotgun Mic Used For? McVeigh, Daniel (2000). "An Early History of the Telephone: 1664–1866: Robert Hooke's Acoustic Experiments and Acoustic Inventions". Archived from the original on September 3, 2003. The Azden SMX-30V attaches to your camera with a standard cold shoe or via a 1/4-20 thread. In addition, the microphone will run for up to 100 hours on a pair of AA batteries and has an auto power on/off option to conserve battery life. The audio output cable is detachable, which means you can simply replace it if it breaks rather than needing to send it out for repairs. Analog Devices to Sell Microphone Product Line to InvenSense" (Press release). Analog Devices . Retrieved November 27, 2015. The Schoeps CMIT 5 shotgun microphone is an outstanding all-around boom mic for indoor and outdoor applications.