Nightwork

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La Porte didn’t feel like the dangerous villain of the story that he was meant to be. Their first meeting and conflict wasn’t intense enough for me to feel like Booth needed to fear La Porte and live his life in hiding. I just didn’t feel the danger or urgency. When Booth was forced to do a job I thought there would be more time spent on the heist and having to leave his life behind but it was breezed through. As much as I love Nora and will continue to read her books, they’re rapidly becoming repetitive if you’ve read most of them. However, this is a good book for a newbie, or even if you’re an old-timer who wants a satisfying read. Wow, what a great character! At the age of nine, Harry Booth's mother has cancer. She owns a cleaning service with her sister, Mags. When she was too ill to work, Harry goes with his aunt, but it wasn't enough for her medical bills, he was worried about foreclosure. Without her knowing, Harry starts going into homes and taking small things. He never takes more than what he needs and he never "breaks" into a home. From the get-go, Harry has a code of conduct.

Nightwork" follows Harry Booth who at age 9 starts stealing to support his mother who is undergoing chemotherapy treatments. When his mother eventually dies, Harry still keeps stealing and breaking into homes hence the title of this book. Harry eventually meets a woman called Miranda and starts to think about a different future, but is threatened by someone who wants to use his skills. The End of Nightwork is a novel rich in provocative and timely ideas, yet seductively readable. While the fashionable narrative method of short, separated paragraph units sometimes impedes the prose, Pol’s understated wit is fine company. And despite the novel’s complex philosophical and theological underpinning, its characters are always vividly alive. There’s a rare originality here, and a willingness to take risks, that promises great things. A lifelong thief needs to pull off one last job—while getting revenge and keeping the woman he loves safe. An unsettling example of writer, prophet and protagonist collapsing into one character. Isao is a young nationalist militant. Obsessed with the historical account of a group of samurai who performed seppuku in the aftermath of a failed coup, Isao organises his own plot to assassinate a group of prominent capitalists. Arrested and imprisoned, Isao experiences a number of dream-visions in which he foresees his own death. In one he is killed by a venomous snake and at the same time has a realisation: “I was not meant to die like this. I was meant to die by cutting open my stomach.” At the novel’s conclusion, Isao assassinates the capitalist Kurahara and then performs seppuku. A year after the publication of Runaway Horses Mishima himself staged an ill-fated coup and followed suit. Oh, the journey this book and I went on. I loved Booth/Harry! His moral code reminded me of early Dexter... but with less death ;)

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My book, The End of Nightwork, is about that most pointless and painful of things: the passage of time. In the book, the protagonist – Pol – is haunted by the influence of a 17th-century millenarian, called Bartholomew Playfere. Like all prophets, Playfere refuses to be part of his own time. Instead he becomes part of a future, a future that Pol coincidentally participates in. Will Damron was just about perfect in his storytelling and characterizations. I particularly liked how his female voices sounded normal, not affected like some male narrators tend to go. It’s a long story and his voice tone made the time fly by. He’s got serious skills. I loved every relationship he made along the way. I loved Aunt Mags and Sebestian. I love that there was so much happy inside so much sad. Like I said, I liked Booth. I loved going along with him on his adventures. And I felt some anxiety that he would be discovered. NR made him nicely clever and resourceful. A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

The only part in this book that I genuinely loved was the one which had Harry's mother. That's really the only point where I empathized with Harry, which is also why I felt entirely too much and cried like a baby. New York Times bestselling author Nora Roberts introduces an unforgettable thief in an unputdownable new novel... Prophets often appear in tragedies as beacons of the saddest sadness of all: that we are all fated to do the things that we do. From the Weird Sisters to Willy Wonka, prophets are employed by writers as the bearers of this very bad news. In Oedipus Rex, Sophocles’ blind prophet Tiresias is forced to tell tragic mother-effer Oedipus that he has no free will, and that “to his children he is both brother and father”. Like all prophets Tiresias is a lonely interloper in the world of normal time. “Alas,” he wails, “what misery to be wise.” bioText: NORA ROBERTS is the #1 New York Times bestselling author of more than 230 novels, including Legacy, The Awakening, Hideaway, Under Currents, The Chronicles of The One trilogy, and many more. She is also the author of the bestselling In Death series written under the pen name J.D. Robb. There are more than 500 million copies of her books in print. I just adore Harry! He makes me think of Frank Abagnale from Catch Me If You Can. Although he doesn't hurt or kill people, his moral codes make me think of Orphan X. The boy now a man has skills, he stays under the radar, a bit of a loner but eventually falls for a girl. He's brilliant at math, tech, languages (5?), and literature. He cooks gourmet foods and even bakes his own bread!I think it's time for Roberts to just write a straight up mystery and forget about the romance side of things. You can feel her itching to do it. This is supposedly romantic suspense, but it's so light on that it feels like a misnomer to categorize it as such. It doesn't help that we follow a character (Harry Booth) that is so morally grey you have to wonder why Roberts has him as our "hero."

I want to start by saying that I tried to keep my walls up about our main character. He has so many names, but Booth is the most important. I tried so hard not to love him and failed completely. He was just a kid when he stole to keep his mother's bills paid while she fought the demon that is cancer. He was barely out of high school when he lost her. He traveled and changed who he was and existed in a world that never gave him a chance.New York Times bestselling author Nora Roberts introduces an unforgettable thief in an unputdownable new novel… We grow up with Booth and watch his talents as a thief evolve until he actually gets a rep (a good one) amongst the underground and attracts the attention of a man, LaPorte, who begins to think of Booth as much of a possession as the art and baubles he hires Booth to steal. But Booth has no plans to be anyone's possession. The bad guy LaPorte was an absolute idiot. NR can and has built extremely twisted villains, but sometimes, like The Witness with Russian mafia, these villains seem straight out of PatheticVille. If I have to hear about how scary and mean and cold a person is, I need to see my main character overcome problems and challenges on the way to best the bad guy. But there is absolutely none of that, which is ridiculous.

sortTitle Nightwork A Novel crossRefId 6492972 subtitle A Novel id 55C01898-08CA-406D-97CA-976E1C054A7A starRating 4 OverDrive MetaData isPublicDomain False formats An all important point before all else: I make it a point to not judge characters for things they do for love, but had I been rating this taking into account how I felt about Harry's nightwork - this would be a -5 stars, no doubt. This nightwork begins with having to pay for his mother's cancer treatment - and I can see that. I can see why that made him desperate, how right and wrong did not matter - if that nightwork money meant his mother got her treatment and could continue living in their house. But everything that Harry did after his mother died was a conscious choice, and I will never understand that and neither do I want to. I feel like the point of this book was to show how a man could be a thief (an actual, stealing for personal profit thief) but still have 'morals'. There was a whole lot of justification for his work, how his 'why' (of which there was none, in my opinion, after his mother was gone) made him a 'good' person, and how he was 'different' from the rest, how his work had 'rules' and 'principles' which somehow made him better than people who killed like brutes, but I completely fail to understand or empathize with him. Most importantly, I refuse to. href: https://api.overdrive.com/v1/collections/L1BLQAAAA2a/products/55c01898-08ca-406d-97ca-976e1c054a7a/metadataHe fell in love with the ocean, the hills, New Orleans, North Carolina, and a beautiful girl named Miranda. He read, and educated himself and did everything he could to follow the rules he set when he was only 12 and doing the only thing he knew could work. When that all caught up to him, and he had to leave it all behind, he didn't think he'd fall in love with anything again. But isn't that just human nature? So he fell in love with a house. With his students. And with the same girl. And he would not be ran off from it again. For me, the sign of an awesome author is one who changes the tide of the story with such subtlety that you do not even realize it is happening.