The Itch of the Golden Nit: Tate Movie Project

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We caught up with Sarah to learn a bit more her and her role in Arthur Cox, as well as discover more about the process of working with children to create the fantastic film, The Itch of the Golden Nit. Interview

David Walliams, Miranda Hart, Catherine Tate and Rik Mayall will lead the stellar cast of The Tate Movie Project’s film, The Itch of the Golden Nit, voicing the characters devised by children. The Tate Movie Project is the first of its kind – an animation made by and for children. The half hour animation has been created from thousands of drawings, sound effects and story ideas by children from across the UK . The Itch of the Golden Nit has been a huge success. Are you considering making another film collaborating with children in this way? The stellar cast has provided the voices for the lead characters chosen from the many drawings submitted by children aged 5-13, the result of over 250 workshops and tens of thousands of individual uploads to the Tate Movie Project’s online movie studio. The online studio has had more than 500,000 hits since it went live last July and a touring Movie Studio spent months on the road visiting galleries, schools and festivals across the country encouraging children to use art as inspiration for their drawings and story ideas. Children did everything from inventing brand new superhero gadgets to spending a whole afternoon drawing planks for the pirate ship. The Itch of the Golden Nit follows 11 year old hero Beanie on his mission to save his parents from Evil Stella and to return the Golden Nit to its rightful place at the heart of the sun, thereby saving the universe. It’s a surreal and spectacular adventure that only the wild imaginations of kids could dream up! Aided by his shouty older sister Beryl, who has been shrunk to the size of a doll by one of Stella’s electric bubbles, Beanie sets out on a crazy adventure to rescue his parents and save the universe.Craig Revel Horwood said that his character "looks nothing like me, thank goodness". He added that the hardest thing when he recorded the voice was not having the character in front of him to see. Aided by his shouty older sister Beryl, who has been shrunk to the size of a doll by one of Stella’s electric bubbles, Beanie sets out on a crazy adventure to rescue his parents and save the universe. David Walliams, Miranda Hart, Catherine Tate and Rik Mayall lead the stellar cast providing the voices for the children’s characters from Evil Stella to Captain Iron Ears. Funded by Legacy Trust UK and BP, with additional support and resources from the BBC, the film has been brought together by Tate and the creative magic of Aardman Animations. Sarah Cox, the film’s director, recognised children’s ability to work with animation some time ago. After studying for an animation degree at Liverpool, she began working with the community film collective ‘Open Eye’, running animation workshops with children in deprived areas of Liverpool. She then moved on to the Royal College of Art and, a year after graduating, completed the film 3 Ways to Go, which was commissioned as part of the ANIMATE! Scheme and won Best Film under 10 Minutes at the British Animation Awards.

Lastly, what can we look forward to seeing from Sarah Cox/Arthur Cox in the future? Can you give tell us anything about Arthur Cox’s involvement with the upcoming adaptation of Graham Chapman’s A Liar’s Biography?But this is no ordinary nit. The Golden Nit is the battery that powers the sun and if Beanie doesn’t get it home by sunset the sun will die and the universe is doomed. In 2002, Sarah left Picasso Pictures and set up her own production and animation company Arthur Cox, with Sally Arthur and has since directed several commercials in France and has been increasingly involved as a producer on many film projects. These include Emma Lazenby‘s BAFTA award winning film, Mother of Many, and the forthcoming live action film, iFeature’s Eight Minutes Idle.

Jane Burton, creative director of Tate Media, said the team was extremely happy with the result. "We wanted it to be something that people would enjoy watching as much as the children enjoyed making it," she said.Ha – well surprisingly sometimes I think I get more creative freedom in commercial projects than with the films. You are never entirely free if someone is funding you, but certainly with Tate all the direction came from the kids not from the top- whereas when we made 8 minutes idle we had 4 or 5 executive producers to convince at every stage. With TV commercials I learnt a long time ago that its really not about ‘creative freedom’– you are helping your client sell a product and you can offer your best advice to help them create a fantastic and memorable commercial – if you expect to have total creative freedom you will always be disappointed. Anyway I like to have something to rail against. Eleven-year-old Beanie's bland life is changed for ever when he is sent on a mission. Armed only with laser lip-gloss and a pair of blend-in pants he has to save his parents from Evil Stella and return the Golden Nit to its rightful place at the heart of the sun, thereby saving the universe. You have moved into more of a producer role since setting up your own production company, Arthur Cox, producing successful films such as Matthew Walker’s John and Karen. How involved are you in the production stages of the animation with this role and what do you enjoy about this position? The film has as its hero 11-year-old Beanie who embarks on a mission to save his parents from Evil Stella (Catherine Tate). At the film's centre is the eponymous Golden Nit (Walliams) who needs to be returned to his rightful place in the sun for the universe to be saved.