The Winter Guest: The perfect chilling, gripping mystery as the nights draw in

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Ireland has quite a tumultuous history spanning generations. We all have stories to tell passed on from grandparents and great-grandparents of a very different country, of a time when unrest stretched from North to South. Irish men and women joined the British army during The Great War in a bid to help fight against tyranny and to help protect other nations in their fight for their independence. Many of these Irish soldiers, on their return, expected that Ireland would achieve Home Rule and, in time, become an independent country, finally free to make its own decisions. But as we know this was not to be. The signing of the Anglo-Irish Treaty in 1921 brought about the Irish Civil War, one that left its scar on the generations that followed. Ireland had already been through great upheaval in 1916 during The Easter Rising, followed by The War of Independence which raged through the land from 1919 to 1921. There was a bitterness in many homes throughout the country and nobody escaped its wrath. The Anglo-Irish community had their homes burned from under them by the IRA in a bid to remove ‘the foreigners’ and return the land to the Irish who were tenants on their own soil. Poverty was rife within the cities but was very much more evident in the rural communities. The accurate history and the events that unfolds makes this book gloomy and the writing makes it somber.

To begin with, the first chapter (after the introduction) sets the story in 1940. And then Sam Rosen shows up. Sam is a downed American airman in the Polish countryside. Perhaps a lukewarm or even an aimless plot can be excused if were to be redeemed by another facet of the novel. This, however, was not the case. The writing is hardly refined artistry; in fact, it’s amateur. I loved this story because it features two equally strong women as its protagonists, something less often seen in historical fiction than I would like. Jenoff is an excellent historical storyteller; her novels truly capture the hardships faced by mostly ordinary people in wartime. In particular, the overwhelming hunger comes across throughout her writing in this book. Reading this story made me consider the plight of the Polish community during the war, a country sometimes forgotten in history. This is an amazing story of Helena and Ruth, 18 year old identical twins raising their three younger siblings in a small town in Poland during WW2. They are identical in looks but they are very different from each other in their behaviors. Ruth is more domestic and lady like, Helena is definitely more adventurous and used to the outdoors. As they grow older, they begin to have secrets from each other. An 18-year-old Polish girl falls in love, swoons over a first kiss, dreams of marriage—and, oh yes, we are in the middle of the Holocaust.

In 1921 the RIC and the Auxiliary forces were unforgiving of the guerrilla tactics employed by the IRA. Spies infiltrated all sides and Tom Harkin is soon entrenched in a cat and mouse game of survival. Trust was a very important tool but who to give it to was a dangerous act easily resulting in torture and death if the wrong ear overheard a conversation. Tom Harkin is unsettled as he takes in the decay of Kilcolgan House, a house very much in decline from when he had been there in previous happier times. There is an air of unease, a threatening atmosphere that is heightened by his visions of the dead. Are these apparitions just the imagination of an overwrought person or is there something of the supernatural afoot? Tom Harkin is determined in his quest for the truth behind Maud’s death. He crosses paths with some very unpleasant characters and his search takes him on an unexpected and dangerous journey. The descriptions of the crumbling walls and shadows of Kilcolgan House are sharply depicted giving the reader a true sense of life for the Anglo-Irish during these senseless and sorrowful times. Non manca l’azione rocambolesca che, se non fosse ispirata a tanti casi veri, non sfigurerebbe in un film. There are bad things happening and Helena witnesses them, yet there's so little emotion here that even things that should have been frightening just fell flat. Example: the hospital. You hide under the bed while a nurse is raped on top of it and it warrants a mere three or four sentences? Then it's never mentioned again? I would think the trauma of that would evoke a lot more reaction. As I said above, there's a lot more emotion when it comes to the sisters hating on each other or blabbering about their family history than actual traumatic events. An investigation in 2013 starts the book and then the story unfolds as one of the characters remembers the events, but at the end I didn't really see the significance of this investigation and why it was a big deal. There were other things that could have been investigated that might have had a more emotional response from the readers.

Eighteen year old twins Helena and Ruth are struggling. It is Poland, 1940. With their father dead and their mother institutionalised, they are left to jointly raise their younger siblings while desperately trying to ward off starvation and the harsh winters. When Helena comes across a young soldier stranded when his plane crashes, they begin a clandestine relationship and she gradually falls in love with the handsome American.Helena and Ruth are twin sister from a small village in Poland during the WWII. With their mother hospitalized they had to start taking care of their three younger siblings. The war is getting closer and supplies are scarce. Things are very dangerous and people are disappearing everyday. As the sisters struggle in their daily life, the rivalry and jealousy between them affects some of their actions and might prove dangerous after Helena saves an American solider and tries to help him.