Boy in a China Shop: Life, Clay and Everything

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Keith will be releasing his autobiography "Boy in a China Shop" on the 3rd February 2022. In his book Keith will be covering his life from early childhood, his early years, meeting his wife Marj, through to finding fame with his pottery. Here is the official blurb on the book; to create simple yet stylish products which are pleasing to the eye, practical in the modern home and, above all, make people happy!’ 💕

Keith Brymer Jones is one of the judges on that show. He is himself a world- renowned potter and ceramic designer. His warmth, wit and emotional responses to contestants' efforts really make the Throw Down the great show it is. This is one of the biggest complaints we have from customers is that they think the pottery is made in the UK by Keith. This is understandable in some respects having watched him extensively on the Great British Pottery Throwdown hand making many ceramics. Unfortunately, due to the huge popularity of the ranges, they cannot be made by Keith any more. The process of how they are made was explained by him as the following - We are excited to welcome potter, Channel 4’s The Great Pottery Throwdown Judge and Boy in a China Shop: Life, Clay and Everything author Keith Brymer-Jones to Ditchling Museum of Art + Craft! Perhaps that’s why the Throw Down gets emotional. “Just thinking about it now, maybe that’s what it is with their work. They bring this work to me, and it’s so wonderful. It’s like, ‘Oh, I see you now, I get it. Look, you can do this.’ ” He pauses. “It’s a brilliant, brilliant feeling.” If I was producing clothing or cuddly toys, or for that matter mobile phones, would I feel differently? Who knows? But to produce ceramic from its very birthplace, it was a no brainer” Is Keith Brymer Jones Welsh?In addition to the Word Range, Keith has finally introduced his Studio Range in Summer 2023. A gorgeous range of stoneware products which has a more organic aesthetic compared to his Word Range. The exhibition coincides with the publication of his autobiography, The Boy In A China Shop: Life, Clay and Everything, hitting shelves Thursday 3 February 2022.

During downtime on the pottery throwdown Keith made my hair curl with some of his tales - he's a great raconteur and recounts his story in this book as he does in real life - with joy, charm & mischief.' - Sara Cox In 2016 Brymer Jones went to Australia to a ceramics festival called Clay Gulgong. He was to give a presentation there, but felt anxious, sure that he would be “looked down upon by the ceramics artists… I had a big chip on my shoulder about them not accepting me.” Once his presentation was over, two of the world’s leading experts on modern ceramics gave their own lecture. It featured Brymer Jones’s signature Word Range, which they described as “pots that talk”. “I was blown away. Absolutely blown away.” He felt recognised. “Isn’t that what we’re all really looking for, to be able to be seen? It’s a wonderful feeling.” I love watching The Great Pottery Throw Down. It might be a competition but it's so much more than that. It's about a group of like-minded people who like creating and are just enjoying being in the pottery and turning a lump of clay into something beautiful. You can also try your hand at making your own clay flowers with Rita Floyd, our latest Newcastle Common artist-in-residence specially selected by Keith Brymer Jones to be in residence during the exhibition and to create a response to his work. Find out more about Rita here.Keith is married to Marjory Hogarth, who works in the Theatre. Keith has stated before that he is extremely proud of his wife, as he is an obsessive workaholic, with utter dedication to his trade and the quality of his products. A crying Keith Brymer Jones is a frequent occurrence on Great British Throwdown. What makes him cry? What’s the difference between a ceramicist and a potter? “An MA,” Keith Brymer Jones says without hesitation, letting out a belly laugh. “Art school.” He puts on a posh accent: “ ‘Oh no, I’m a ceramicist.’ There’s no difference, really! A potter’s just a bit more real, I would say. But then I would say that.” It was an art school teacher, Mr Mortman, who first introduced him to pottery. One day, Brymer Jones walked into art class and found a ball of terracotta clay was waiting at his desk. “Just looking at this lump of clay washed away all the anxiety I usually felt when I was asked to do anything in class,” he writes in the book. “It felt amazing, like I was holding my own imagination in my hands.” He began sculpting an owl. “My, my, that looks very nice, Keith!”, he recalls Mr Mortman saying: a rare piece of encouragement from a teacher that would stay with him for years. Keith has featured as a judge on The Great Pottery Throw Down since the show first started in 2015, and series 5 is airing on Channel 4 now. Since training at Harefield Pottery, Keith has created ceramics for huge brands such as Laura Ashley, Habitat and Monsoon. He is also Head of Design for MAKE International. Find out more about his work here.

Keith Brymer Jones is a master ceramicist and design expert who has over four decades of knowledge and experience under his belt. He is the designer behind his award-winning Keith Brymer Jones Word Range and also works collaboratively with every other brand under the MAKE International umbrella. Ballet dancer. Front man in an almost famous band. Judge on The Great Pottery Throwdown . How did all that happen? His ability to empathise with the other potters is striking. Perhaps this is because his route into pottery has been unconventional too. “I’ve never had a formal training, as such,” he tells me. When he was first announced as a judge on the show, a lot of people (shall we call them ceramicists?) were nonplussed, he explains. “Who the bloody hell is Keith Brymer Jones? Never heard of him. Oh, he must be one of those business types.” He spent most of his career making commercial pots out of limelight. Now he’s written an autobiography in the hope that he will demonstrate that there are other paths into creative careers that don’t involve art school. Thank you to Keith Brymer Jones, Dan Thompson and Marj Hogarth for the development and curation of the exhibition. They obviously couldn’t do it in words, I say. “No! Of course not! They still call me a c*** now!” he tells me.Keith has stated before what he loves about his ranges of mugs, cups, plates and bowls, especially in his now famous ‘Word’ range is the simplicity of the design, and the slightly retro feel about them. This has been coupled with some more, shall we say risqué, modern phrases some of which we won’t repeat here although you can find it here on this link😉 Designs range from the simple Happymug, to the wildly popular Daddy and Mummy ones. The whole range of the mugs can be found on this link What collaborations has Keith done?

It’s an attitude that baffles Brymer Jones. “I don’t get it. You’ll give yourself cancer — sit on it, and it’ll fester. No, let it all out.” Every chapter of my book is based around an object (usually a pot) that's been significant in my life. It's just at trigger to let me go off in a lot of different directions and tell a few stories. A lot of stories. Dyslexia. The art teacher who changed my life. My Mother. My Father. A life-changing job interview with a man who lay under his car throughout. That video. Every chapter of my book is based around an object (usually a pot) that's been significant in my life. It's just a trigger to let me go off in a lot of different directions and tell a few stories. A lot of stories. Dyslexia. The art teacher who changed my life. My Mother. My Father. A life-changing job interview with a man who lay under his car throughout. That video. An engaging read by an endearing, unassuming man who has always stayed true to his passions.' - Daily Mirror He follows up with “As I walked through the factories I was highly aware of this connection between crafts and the process of production within a factory setting. It firmed up my belief that it was the material itself, the clay what it’s undoubtedly at the core of anyone who was involved in making ceramic pots and here I was, in China, experiencing first hand the enormous experience of the staff in producing it. I’m ok with China producing china (the clue is in the name! )Keith designs every single item on his potter’s wheel before he takes the prototypes to China to work with his colleagues at the factories. Keith’s Word Range has produced over 500 products and it is sold in over forty countries with a large and loyal following. To this day, the Word Range follows Keith’s design philosophy: ‘to create simple yet stylish products which are pleasing to the eye, practical in the modern home and, above all, make people happy!’ Ballet dancer. Front man in an almost famous band. Judge on The Great Pottery Throwdown. How did all that happen? At the age of 11, the London-born Brymer Jones made his first pottery object – an owl. It was then that he knew he wanted to be a potter and, after a brief stint as the lead singer of British punk band The Wigs, he became an apprentice for Harefield Pottery in London where he learnt to make ceramics. When I completed the final Season 5 I felt a void. I raced to my smartphone and searched for Season 6, and indeed another season seems to be in the works. I also discovered that Keith wrote his autobiography. I just finished the Kindle version and it more than filled my post-TGPT void. I discovered The Great Pottery Throwdown on HBO here in the US in January 2022 and binge-watched all five seasons in nothing flat. TGPT was a welcome respite from the seemingly endless procession of depressing news – inflation, Ukraine, mass shootings, Covid, climate change... TGPT was the antidote I needed – a gentle show with gentle people and low stakes (no million-dollar prizes or scheming contestants here). At the helm, some wonderful hosts and judges who encouraged and supported the non-combatants with sensitivity and good humor, and sometimes even tears. That is, judge and master potter Keith Brymer Jones' tears.