The Dead Zone

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This time around I did the audio. I was skeptical at first because it was James Franco and he usually seems kind of silly to me (most of my memories of him are Seth Rogan stoner movies). I am guessing he may have been invited to do this audio version because of his involvement in King’s 11/22/63 mini-series – which I still need to watch (Update 1/8/2020 - Just noticed I said I still need to watch this, but I did in 2019. It was great!)! I think he did a great job narrating this book and I will gladly do other books in the future narrated by him. I'm so glad coming out of this that I finally got round to it as it is yet another great King adaptation worthy of its acclaim. The character of George Bannerman also appears in the novel Cujo, and the short story The Body. He is briefly mentioned in a newspaper article in the novella Gwendy's Button Box. This was my second time in The Dead Zone. I remember the first time fondly as this is only one of two Stephen King books I read in one sitting (the other being Pet Sematary). The first time was in the late 1990s at an all-night coffee shop in Cincinnati. I read until the sun came up fueled on caffeine and the enthralling words of the Master of Horror himself.

THE DEAD ZONE was my very first Stephen King book, and I would like to thank David Cronenberg, Christopher Walken, and one of my high school best friends- Natalie Kowalski- for introducing me to the world of John Smith, and in turn the world of Stephen King. Hablemos primero de Jhonny, que es lo más importante y es quien nos cuenta la mayor parte de la historia. En el prólogo lo vemos como un niño que sufre un pequeño accidente y tiempo después, ocurre lo mismo, pero esta vez peor, dejándolo en coma. Cuando despierta se encuentra con la realidad, que lo golpea con rudeza pues el tiempo se lo ha arrebatado todo. Es un personaje con muchísimos matices. Pasa por distintas circunstancias que te harán pensar y reflexionar. Y lo bueno del libro es que nunca te aburre. Y no, no es que haya mucha acción sino que el personaje pasa por momentos interesantes, haciendo que el lector tenga una montaña rusa de emociones. Cronenberg criticized the film's theatrical distribution and stated that it could have been number one at the box office had its distribution been better. [24] The head of marketing at Paramount, David Rose, was arrested for embezzling money and Cronenberg theorized that Rose might have taken money meant for the marketing of the film. [25] No se dejen llevar solo por la sinopsis (como me pasó a mí). La historia es mucho más que eso; lo vemos todo con los ojos del protagonista, a personajes con miedos e inseguridades pero con decisiones que van dejando marca, sea para bien o para mal. La historia de Johnny Smith es triste, cautivadora, reflexiva, emotiva y en cierta parte tranquilizante. Es una historia donde gran mayoría de los personajes no se olvidan y eso es gracias al protagonista.Knelman, Martin (1987). Home Movies: Tales from the Canadian Film World. Key Porter Books. ISBN 1-55013-049-8. The FBI agent is killed by a car bomb. Meanwhile, Johnny's warnings that a disaster will occur at his pupil's graduation party are ignored by some, leading to several deaths. Now believing he must take more decisive action to prevent nuclear war, and learning his headaches are the result of a brain tumor, Johnny buys a rifle to kill Stillson. At the next rally, Stillson begins his speech and Johnny shoots from a balcony. He misses and is wounded by guards. Stillson grabs a young child and holds him up as a human shield. A bystander photographs Stillson's act. Unable to shoot a child, Johnny is shot twice by the bodyguards. He falls off the balcony, mortally wounded. Dying, Johnny touches Stillson a final time. He feels only dwindling impressions but knows the terrible future has been prevented. When published, the picture of Stillson using a child as a shield ends his political career. While in rehab at the hospital, Johnny helps various people, but is frustrated by sensational media coverage and the public's demands for assistance. When he rejects a lucrative offer to lend his name to fake predictions published in a tabloid, the tabloid editor denounces him as a fraud, but Johnny merely hopes that the public's disillusionment will let him resume a normal life.

The book is a wonderful character study about a happy and unassuming man, and then watching him go through dreadful changes when his life is shattered and he's given God like abilities. As an aside: The novel proper begins in 1970 and ends in 1978. King does a marvelous job of efficiently evoking the passage of this time, especially the years when Johnny is in a coma). In addition to Donen, both John Badham and Michael Cimino were also considered to direct. [19] Filming [ edit ] Boam stated that Donen wanted the film to be told from an outside point of view while Cronenberg wanted it from Johnny's perspective. [9] King is reported to have told Cronenberg that the changes the director and Boam made to the story "improved and intensified the power of the narrative." [10]Dave Kehr of the Chicago Reader was more critical of the film, describing it as "By no means a bad film, just a disappointingly bland and superficial one ... in which director David Cronenberg relinquishes the one thing that had always set him apart from his Canadian colleagues: his willingness to follow his intuitions rather than the logic of a script." [32] See also [ edit ]