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Ones designed first as musical instruments can be very playable. Visual features may be added with awareness of standard playing techniques, and the player's need to hold the instrument. Due to the physics of the instrument, having a smaller range allows 10 hole ocarinas to have a strong, clean sound through the whole range, and can be made to have a range of different playing characteristics, for instance: Und ich kann sagen das sich diese Ocarina so schön anhört. Klar treffe ich noch nicht alle Töne 100% aber das wird die Übung noch mit sich bringen. Laut Stimmgerät, ist die Ocarina zu 100% richtig gestimmt. Die einfachen Lieder die ich bis jetzt spielen kann, da hört man auch raus um welches Lied es sich handeln soll. I personally find the standard naming convention needlessly confusing, as 'bass' ocarinas only play down to about middle C, which in other contexts isn't typically considered 'bass'. Contrabass ocarinas, which sound an octave lower than bass ones, do exist. In my opinion, calling 'bass' ocarinas 'tenor' and renaming 'contrabass' to 'bass' would be more sensible. However, at this point, doing so would only cause more confusion. They can also attain quite a range of timbres from 'pure' to 'reedy'. All of these things are set when the instrument is made, and as of writing very few makers are exploring this possibility space.
12 hole ocarina - A lot of sources, a lot of Scale of a 12 hole ocarina - A lot of sources, a lot of
These reproductions are of extremely poor quality, with weak sound production and are not tuned. They are not good musical instruments, and are not worth considering as someone looking to play seriously.If one scales up an inline to make a bass or contrabass ocarina, the centre of mass moves much further forward from the player than a comparable transverse. This makes the instrument harder to handle. Ocarina". Virginia Tech Multimedia Music Dictionary. Archived from the original on 2007-04-20 . Retrieved 2007-04-21.
The types of ocarina | Pure Ocarinas
The 'key' of an ocarina refers to the major scale sounded when no cross-fingered accidentals are used. For example. a C ocarina would produce a C scale, whereas the same fingerings on a G ocarina would produce a G scale.Multichamber ocarinas do not suffer from these problems as they have different chambers whose size matches the range of notes produced. They work in harmoney with the instrument's physics instead of against it. The size of each chamber is chosen to produce the best possible sound, and the smaller range means that the chambers generally sound better. The inline design allows your hands to be held straight which may put less stress on your wrists. They may be better if you have arthritis, RSI or other disabilities. However inline ocarinas are much less standardised, and made by fewer makers. By eliminating one of the subholes, they retain much of the design flexibility of the 10 hole ocarina but providing one subhole allows a semitone below the instrument's base note to be played. That note is useful in a lot of music. Inline ocarinas
Classic 12 Hole Ocarinas – STL Ocarina
It is worth noting however that ocarinas do not scale linearly. A 12 hole soprano C can easily play cleanly over its entire range, while an alto usually exhibits some of the issues noted above. 12 hole bass ocarinas are even more problematic. For more, see ' Multichamber ocarinas and their tuning systems' and ' The fingering systems of multichamber ocarinas'. Tuning all of the notes to sound at the same pressure allows for arbitrary notes to be fingered, but higher notes will tend to sound airy.The ocarina is a wind musical instrument; it is a type of vessel flute. [1] Variations exist, but a typical ocarina is an enclosed space with four to twelve finger holes and a mouthpiece that projects from the body. It is traditionally made from clay or ceramic, but other materials are also used, such as plastic, wood, glass, metal, or bone. The microtonal ocarina is a design of ocarina with one or two large holes, covered by the palm of your hand. They are played by varying your hand position and blowing pressure. You will see that you will progressively raise all the fingers of your right hand except the thumb. Then, you continue with the left hand (this time starting with the ring finger, leaving the pinky for the end). Second is the use of numerical tablature, which expresses the musical notes as numbers. Some makers have developed their own system of numerical tablature for their ocarinas, while others follow a more universal system where numbers correspond to different notes on the scale. This method is typically used by beginners who have not learned to read sheet music. Blowing more softly lowers the pitch; blowing harder raises it. Breath force can change the pitch by several semitones, of which about a third of a semitone either way is useful. [10] Too much or too little air will harm the tone. [11] This is why ocarinas generally have no tuning mechanism or dynamic range, and why it is hard to learn to play one in tune.
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