John Lee Straight Bourbon Whiskey, 70cl

Product Information

You are responsible for all activities through your account. You are responsible for the accuracy of the information you provide to us in relation to your account, and for updating it where necessary. You are not allowed to create multiple accounts. We may terminate or temporarily suspend your account to protect you, ourselves or our partners from (suspected) identity theft or other (suspected) fraudulent (e.g. false, misleading, deceptive) activity. You have the obligation to keep your login credentials confidential. You shall not authorize any others to use or access your account. One Scotch, One Bourbon, One Beer" is one of Amos Milburn's popular alcohol-themed songs, that included " Bad, Bad Whiskey" (1950), "Thinking and Drinking" (1952), "Let Me Go Home, Whiskey" (1953), and "Good, Good Whiskey" (1954). [2] Written by Rudy Toombs, is a mid-tempo song, sometimes described as a jump blues. [3] Milburn recorded the song on June 30, 1953, at Audio-Video Recording studios in New York City. [4] Our Service is an online platform which provides Members with information (e.g. bottle facts, market-indices, market values and prices) on (mostly) whisky and allows Members to add information to the platform. We do not sell, nor does the Service provide any option to buy, any alcoholic products. The song was recorded in Chicago in 1966 with Hooker singing and playing guitar. He was supported by pianist Lafayette Leake, guitarist Eddie Burns, drummer Fred Below, and an unidentified bass player. Erlewine, Stephen Thomas. " George Thorogood & the Destroyers–Review". AllMusic . Retrieved May 25, 2021.

John Lee - Kentucky Straight Bourbon Whiskey - Hard To Find

One Bourbon, One Scotch, One Beer" (originally " One Scotch, One Bourbon, One Beer") is a blues song written by Rudy Toombs and recorded by Amos Milburn in 1953. It is one of several drinking songs recorded by Milburn in the early 1950s that placed in the top ten of the Billboard R&B chart. [1] Other artists released popular recordings of the song, including John Lee Hooker in 1966 and George Thorogood in 1977. Unless mandatory applicable law provides otherwise, your use of and membership to the Service are exclusively governed by Dutch law. We shall first try to settle any dispute over a dram of whisky. Disputes that cannot be settled over multiple drams of whisky shall be solely submitted to the court of Amsterdam, The Netherlands unless mandatory applicable law provides otherwise. Whiskybase B.V. is the Dutch private limited liability company, having its statutory seat in Rotterdam, The Netherlands and its office at Zwaanshals 530, 3035 KS Rotterdam, The Netherlands. Whiskybase B.V. is registered with the Dutch Chamber of Commerce under no. 52072819. Birnbaum 2013, p.248: "[Milburn's] 'One Scotch, One Bourbon, One Beer' (later revived by John Lee Hooker as 'One Bourbon, One Scotch, One Beer')" Whiskybase B.V. (“Whiskybase”, “we” or “us”, company details below) offers a whisky enthusiasts online platform that provides its members access to the most comprehensive, transparent and trusted resource of whisky bottles and allows and stimulates its members to contribute information about whisky bottles to the platform (“Service”).One Bourbon, One Scotch, One Beer". The Blues. Milwaukee, Wisconsin: Hal Leonard. 1995. ISBN 0-79355-259-1. Fahey, David M.; Miller, Jon S. (2013). Alcohol and Drugs in North America, Volume 1:A–L. Snta Barbara, California: ABC-CLIO. ISBN 978-1598844795. Cook, Stephen. "John Lee Hooker: The Real Folk Blues–Review". AllMusic . Retrieved September 4, 2022. Batey 2003, p.150: "one of his [Hooker's] best-known songs, 'One Bourbon, One Scotch, One Beer,' [is] an adaptation of a classic Amos Milburn drinking tune."

John Lee - Personal Reserve | Kentucky Straight Bourbon Whiskey

Dahl, Bill (1996). "Amos Milburn". In Erlewine, Michael; Bogdanov, Vladimir; Woodstra, Chris; Koda, Cub (eds.). All Music Guide to the Blues. San Francisco: Miller Freeman Books. ISBN 0-87930-424-3. Murray, Charles Shaar (2002). Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century. St. Martin's Griffin. ISBN 0-312-26563-8. We may sell, license, transfer, assign or in any other way dispose of the Service (including Members) to any third party without any notification to you, e.g. (but without limitation) in connection with any reorganization, restructuring, merger or sale, or other transfer of assets. Hooker hailed from Clarksdale, Mississippi—a town he ran away from when he was 14-years-old. Hooker’s father was a sharecropper and a minister, but his step-father was a musician who taught him how to play blues on guitar as a child. In 1948, Hooker began his recording career in Detroit with the hit song “Boogie Chillen.” Throughout his career, Hooker got around his recording contract by using various aliases; John Lee Booker, Johnny Lee, John Lee, John Lee Cooker, Texas Slim, Delta John, and the Boogie Man.

Sorry Adults Only

Legendary bluesman John Lee Hooker remade a blues classic in 1966. The original version of the song had a slightly different title, “One Scotch, One Bourbon, One Beer”—it was written by Rudy Toombs and sung by Amos Milburn. Milburn’s version was a hit in 1953, but Hooker took Milburn’s song and “edited the verse down to its essentials” and added his own unique touch. Fahey & Miller 2013, p.481: "Among those [Milburn's alcohol songs] is the famous 'One Bourbon, One Scotch, One Beer,' which was redone by many artists, including John Lee Hooker". Without prejudice to the section Liability below, the Service may be temporarily unavailable during maintenance, updates, etc. We shall make reasonable efforts to inform you of any unavailability due to maintenance or updates. Hooker honed the blues into something new – a grinding, hymnal vamp, which he finessed for all it was worth. Hooker’s essential sound dispensed with the usual 12-bar blues progression to throw the focus on the thrust of the rhythm. It’s deep groove music he made, with a sound as indebted to the beat as funk, and as enamored of repetition as an incantation. In Hooker’s greatest recordings, repetition bred intensity, both in his guitar playing and in his vocals which, in their chanting, droning cadence, could reach the transcendence of devotional singing.

John Lee Kentucky Straight Bourbon - A Wardrobe of Whisky John Lee Kentucky Straight Bourbon - A Wardrobe of Whisky

Nothing in the Terms shall exclude or limit our liability for fraudulent misrepresentation or for death or personal injury resulting from gross negligence or willful misconduct by us. If we decide not to exercise or enforce any right or provision of these Terms, such decision shall not constitute a waiver of such right or provision.

What is MealWhizz

We may, but are not under any obligation, to release new functionalities and tools or other features for the Service every now and then. Any new functionalities, tools and features shall be part of and governed by the Terms from the moment they are launched and/or available. Further, we reserve the right to modify, change, discontinue the Service, add or remove features, update the Service, change its appearance, temporarily and permanently, at any time, in whole or any part thereof. If any provision of these Terms is held invalid, the remainder of the Terms shall continue in full force and effect. Poling, Dean (March 19, 2010). "Bad to the Funny Bone: A Strange Conversation with George Thorogood". Valdosta Daily Times . Retrieved April 2, 2010. Regardless of whether the Service offers the functionality to contribute, you are solely responsible and liable for any content and information that you create, upload, post, publish, link to, duplicate, transmit, record, display or otherwise make available on the Service or to other Members, such as chat messages, text messages, videos, audio, audio recordings, music, pictures, photographs, text and any other information or materials, whether publicly posted or privately transmitted (“Contributions”). Keller 2018, p.254: "John Lee Hooker rearranged the text a bit, recorded it [in] 1966, but it's still essentially Toombs' original."

John Lee Hooker - IMDb John Lee Hooker - IMDb

Laredo, Joseph F. (1993). The Best of Amos Milburn: Down the Road Apiece (CD booklet). Amos Milburn. EMI America. 243 8 2.

Comments about John Lee Kentucky Straight Bourbon

House of the Blues (1988 reissue notes). John Lee Hooker. Hannover, Germany: Vogue Records. 1966. p.2. VG651 600115. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) McMichael, Andrew (2015). Martin, Scott C. (ed.). The Sage Encyclopedia of Alcohol, Volume 1. Thousand Oaks, California: Sage Reference. ISBN 978-1-4833-2525-5. Each and every Member must be of legal drinking age in its country of residence to be allowed to use the Service. If no such law exists in a Member’s country of residence, the Member has to be over 21 years old to use the Service. We have the right to ask you to provide proof of your age and/or to provide further identification to prevent underage usage and/or for any other legal or legitimate purpose. By using the Service, and by creating an account you represent, warrant and confirm that you are of legal age. Hooker's song is notated as a medium tempo blues with an irregular number of bars in 4/4 time in the key of E. [15] It was recorded in Chicago in 1966 with Hooker on vocal and guitar, guitarist Eddie "Guitar" Burns, and unknown accompanists. [17] The song was released on the Chess Records album The Real Folk Blues (1966). [18] A live version with Muddy Waters' band recorded at the Cafe Au Go Go on August 30, 1966, has been described as "dark, slow, swampy-deep, and the degree of emotional rapport between Hooker and the band (particularly Otis Spann) [is] nothing less than extraordinary". [19] George Thorogood [ edit ] Laberge, Yves (2006). "Amos Milburn". In Komara, Edward (ed.). Encyclopedia of the Blues, Volume 2: K–Z. New York City: Routledge. ISBN 978-0-415-92699-7.