House of Psychotic Women (Paperback): An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films

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I Like Bats is offered with a 24-bit DTS-HD mono track that may even be in better shape than the print used for the film scan, with a healthy balance and even some fun depth in the musical sequences. I’d be remiss not to mention that each film in this set offers its own unique representation of female madness, perfectly coupled to the book but also giving added weight to Janisse’s exacting analysis. At this time of year, when horror season is in full-swing, I often think of Gita Jackson's 2015 essay for Polygon, "Horror movies are one of the few places women are told their fears are real. High Priestess of Horror Kier-La Janisse has crafted the definitive encyclopedia of female neurosis as depicted in horror cinema and the many ways it paralleled her own trauma zones. Prior to this ebook edition, Kier-La's highly acclaimed book has already been issued twice in hardcover and twice in paperback, garnering extensive press coverage.

House of Psychotic Women: An Autobiographical Topograph…

This is perhaps the best discovery in this set and is indicative of the kind of essential curation that is offered throughout the set.She was a programmer for the Alamo Drafthouse Cinema in Austin, Texas, founded the CineMuerte Horror Film Festival and the Big Smash! If you are still wondering how to get free PDF EPUB of book House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films by Kier-la Janisse. House of Psychotic Women is an autobiographical exploration of female neurosis in horror and exploitation films. The festival and Janisse’s struggles to run it independently were the subject of Ashley Fester’s documentary feature Celluloid Horror (2005). In 2017, Janisse and producer Andy Starke of Rook Films pitched a television series based on the book at the Frontieres International Co-Production Market.

House of Psychotic Women (1974) - ALL HORROR House of Psychotic Women (1974) - ALL HORROR

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. It follows the life of a single young female vampire Izabela (Katarzyna Walter), who loves to feed on the various suitors and sleazebags that enter her orbit. In 2012 Kier-La Janisse published House of Psychotic Women, billed as "an autobiographical topography of female neurosis in horror and exploitation films. It's similar in style (and trashiness) to Night of a Thousand Cats from 1972, another hilariously terrible movie that aged horribly. A cross-section of horror and violent exploitation films that feature disturbed or neurotic women as primary or pivotal characters.Even when the presentations suffer a bit of damage, you’ll feel no less importance from what has been presented here – a collection of female-led and influenced features that offer some of the most shocking depictions of onscreen delirium and hysteria. Kier-La Janisse provides an introduction to this feature as well, this one running just over ten minutes.

House of Psychotic Women: An Autobiographical Topography of

The AVC encoded 1080p high definition transfer looks very good, though keep in mind that this is a naturally grainy film.Alice, Sweet Alice; All the Colors of the Dark; Alucarda; Anima persa; Antichrist; Asylum; The Attic; Audition; Autopsy; The Baby; Bad Dreams; Bad Guy; Bas-fonds; Bedevilled; The Beguiled; La Belle Bête; The Bird with the Crystal Plumage; Black Narcissus; Black Swan; The Blood Spattered Bride; The Blue Eyes of the Broken Doll; Born Innocent; Boy Meets Girl; The Brave One; The Bride; The Brood; Burnt Offerings; Butcher, Baker, Nightmare Maker; Can Go Through Skin; A Candle for the Devil; Carrie; La casa muda; Cat People; La cérémonie; Children Shouldn't Play with Dead Things; Christiane F. Beautifully shot by Vittorio Storaro, Indentikit is a decidedly odd film even by the decidedly odd standards of Italian cinema of the 1970’s. Blue Eyes of the Broken Doll (Spanish: Los ojos azules de la muñeca rota) is a 1973 Spanish horror- giallo film directed by Carlos Aured and starring Paul Naschy (who also wrote the film), Diana Lorys, Maria Perschy, and Eva Leon. Sometimes I'd start watching at the halfway point but it wouldn't really matter because I was solely interested in the aesthetics. Horror cinema, because it’s so extreme, does become a place where we can face all the things that give us anxiety, whatever those things are, because there’s obviously many, many different types and sub-genres that are all focused on different types of fears,” she said.