Negative Space

Product Information

Longer lines of type need more space between them, and almost any book design can be made more readable by increasing the leading.

Popping pills first thing in the morning, smoking weed all day long, winding down in the evening with some shrooms or acid…and then there is WHORL. I thoroughly recommend that you experiment with keeping some areas blank and see how the tone changes. What I was nooooot fucking expecting was a novel that reads like a Harmony Korine film smashed at light speed into an A24 horror movie injected with a barbed syringe of postmodern existential nihilism and a grotesque poetic sensibility that's all perfectly integrated into a story about the slow and mundane decay of simply being alive in the modern world. In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space.

This is the real deal - horror literature that acknowledges the genre's history (the tropes are there well enough) yet pushes the artform forward in a way that feels intoxicatingly and truly new, something to help potentiate a push toward greater heights the genre has not yet reached. Speaking of Lu’s ending, it seems to me that the story the “dot” tells her is one continuous story told in its fragmentary dialogue? The Typefaces is a book from Singapore-based designer and illustrator Scott Lambert that aims to celebrate playful products for kids and kids-at-heart. In this regard, perhaps what scares us most in Yeager’s novel is the incomprehensible nature of the horror itself.

And she carried on: “My body was so full of adrenaline that, instead of screaming or fighting, I went still, and I went to work, with words. While this tactic undoubtably enhances the realism of the book – which is semi-modernist in its splintered, stream-of-consciousness style of prose – it also reinforces the precarious status of the reader, in the sense that nothing is directly or neatly given to us. B.R Yeager illustrates this through the protagonists’ relationship to their parents who aren’t really characters of this novel in the conventional sense of the term. I can't remember the last time a book sucked my into its world and spooked me this well in a long time. Days turn to weeks turn to months turn to seasons turn to years, until your life resides in just one moment expanding forever, where each step and breath folds wrinkles into your face, carving minute, irreversible wounds between your joints.This is a book people will discover and talk about extensively and I can see influencing authors from here on, and it's exceedingly rare for me to formulate this feeling about a piece of work as I am engaging with it. Reversing the tones so that the space around the subject is printed black and the subject itself is left blank, however, causes the negative space to be apparent as it forms shapes around the subject. My first review really got a lot to the heart of why this book works for me so well from a personal perspective, so for this one I’ll take a more unorthodox approach and jot down a few disorganized thoughts I gleamed from this read, and try to vaguely thread them together. Perhaps the subject is dramatic in itself, or the book is very dense and the designer wants to give the reader a rest between chapters. Horrifying in a compulsively readable way, Negative Space charts the erratic and disturbing movements of a group of teens living in a small New Hampshire town.

How, after all, do young disillusioned people fight with real pushback against a global system that has failed us and the grind of a machine that profits from and rewards violence? Regardless of his toxicity it really hit this run how Ahmir is COMPLETELY codependent on Tyler from the beginning to the end (whereas Lu, and to a different extent Jill, are able to break away at some point), and he has very little identity outside of Tyler because of the immeasurable influence Tyler had over him their entire lives, convincing him that he isn’t supposed to have an identity outside of their relationship, that he exists as a conduit for him and nothing more.It doesn't matter if you're into Stephen King, Octavia Butler, Jack Ketchum or Shirley Jackson, this is the place to share that love and discuss to your heart's content. It’s a hard book to read – due to the subject matter and the stylistic and structural choices, it’s hard to understand and often even harder to sympathize with the actions of some characters. To delve into the abyss of those suicides and their connection to weight of the soul experiment, Yeager performs vivisection of the way we communicate and build myth of ourselves at school, with friends, and online.