Topping A30 Pro NFCA Headphone Amplifier OPA1656 4PIN XLR 4.4MM 6.35MM Output Balanced Input Amplifier (Black)

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Its honesty and its transparent nature fully preserves the voicing of your digital or analog front end.

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But the D30 moniker throws me for a loop given that volume knob and absolutely different design aesthetic. It is neither big or closed-in sounding, somewhere in between, offering an above average stage size on all axes.By the time I got to 3:00 o'clock, and staying there for half a second, I knew I had to back down and in a hurry! The rotary knob can be pressed on so navigation is possible, however, using a remote is a much easier option. There was zero difference between headphone jacks, but when I’ve moved to its mid-gain, there was a higher degree of energy, it sounded snappier with some particular tunes.

Topping A30Pro | Page 2 | Headphone Reviews and Discussion Topping A30Pro | Page 2 | Headphone Reviews and Discussion

We’ll talk about that in the sound section but the voltage output difference is obviously still there.There are still many of you with a E30 + L30 combo or with a D50S + A50S setup and if D90 MQA plus A90 is too rich for your blood, I believe I’ve found an excellent upgrade path that wouldn’t kill your wallet for good. Single-ended and balanced input passthrough​When powered down, the A30 Pro passes the input signal directly through to RCA or TRS without applying amplification. Anyone brave enough to play back the Bloc Party track I linked on the last page should be able to recreate this without issue, it does seem to at least be harmless as it goes into protection (at least for now).

Electromod | Topping A30pro Headphone Amplifier

Apos sells the A30pro in combination with the D30Pro DAC and XLR interconnect cables as an Apos Ensemble. I did my listening with a combination of the D30pro that was shipped as part of the Apos Ensemble and with my RME ADI-2 as DAC.Sound signature is neutral and analytical, and the Topping A30 is able to deliver a balanced sound with lots of details and a remarkable instrument separation. The only drawback is the higher heat that needs to the dealt with, hence putting so many holes on all its sides. When you lower distortion to sub atomic levels and rise high its dynamic range, it would be natural experiencing a lightning-fast start and stop of the drivers, an exact timing and decay of the musical notes, that are coming right on time.